Walt Whitman – To the Man-of-War-Bird

To the Man-of-War-Bird

THOU who hast slept all night upon the storm,
Waking renew'd on thy prodigious pinions,
(Burst the wild storm? above it thou ascended'st,
And rested on the sky, thy slave that cradled thee,)
Now a blue point, far, far in heaven floating,
As to the light emerging here on deck I watch thee,
(Myself a speck, a point on the world's floating vast.)

Far, far at sea,
After the night's fierce drifts have strewn the shore with wrecks,
With re-appearing day as now so happy and serene,
The rosy and elastic dawn, the flashing sun,
The limpid spread of air cerulean,
Thou also re-appearest.

Thou born to match the gale, (thou art all wings,)
To cope with heaven and earth and sea and hurricane,
Thou ship of air that never furl'st thy sails,
Days, even weeks untired and onward, through spaces, realms 
 gyrating,
At dusk that look'st on Senegal, at morn America,
That sport'st amid the lightning-flash and thunder-cloud,
In them, in thy experiences, had'st thou my soul,
What joys! what joys were thine!

Walt Whitman – Tears

Tears

TEARS! tears! tears!
In the night, in solitude, tears,
On the white shore dripping, dripping, suck'd in by the sand,
Tears, not a star shining, all dark and desolate,
Moist tears from the eyes of a muffled head;
O who is that ghost? that form in the dark, with tears?
What shapeless lump is that, bent, crouch'd there on the sand?
Streaming tears, sobbing tears, throes, choked with wild cries;
O storm, embodied, rising, careering with swift steps along the 
 beach!
O wild and dismal night storm, with wind—O belching and 
 desperate!
O shade so sedate and decorous by day, with calm countenance 
 and regulated pace,
But away at night as you fly, none looking—O then the unloosen'd 
 ocean,
Of tears! tears! tears!

Walt Whitman – As I Ebb’d with the Ocean of Life

As I Ebb’d with the Ocean of Life

1

AS I ebb'd with the ocean of life,
As I wended the shores I know,
As I walk'd where the ripples continually wash you Paumanok,
Where they rustle up hoarse and sibilant,
Where the fierce old mother endlessly cries for her castaways,
I musing late in the autumn day, gazing off southward,
Held by this electric self out of the pride of which I utter poems,
Was seiz'd by the spirit that trails in the lines underfoot,
The rim, the sediment that stands for all the water and all the 
 land of the globe.

Fascinated, my eyes reverting from the south, dropt, to follow 
 those slender windrows,
Chaff, straw, splinters of wood, weeds, and the sea-gluten,
Scum, scales from shining rocks, leaves of salt-lettuce, left by the 
 tide,
Miles walking, the sound of breaking waves the other side of me,
Paumanok there and then as I thought the old thought of likenesses,
These you presented to me you fish-shaped island,
As I wended the shores I know,
As I walk'd with that electric self seeking types.

2

As I wend to the shores I know not,
As I list to the dirge, the voices of men and women wreck'd,
As I inhale the impalpable breezes that set in upon me,
As the ocean so mysterious rolls toward me closer and closer,
I too but signify at the utmost a little wash'd-up drift,
A few sands and dead leaves to gather,
Gather, and merge myself as part of the sands and drift.

O baffled, balk'd, bent to the very earth,
Oppress'd with myself that I have dared to open my mouth,
Aware now that amid all that blab whose echoes recoil upon me I 
 have not once had the least idea who or what I am,
But that before all my arrogant poems the real Me stands yet 
 untouch'd, untold, altogether unreach'd,
Withdrawn far, mocking me with mock-congratulatory signs and 
 bows,
With peals of distant ironical laughter at every word I have written,
Pointing in silence to these songs, and then to the sand beneath.

I perceive I have not really understood any thing, not a single 
 object, and that no man ever can,
Nature here in sight of the sea taking advantage of me to dart 
 upon me and sting me,
Because I have dared to open my mouth to sing at all.

3

You oceans both, I close with you,
We murmur alike reproachfully rolling sands and drift, knowing 
 not why,
These little shreds indeed standing for you and me and all.

You friable shore with trails of debris,
You fish-shaped island, I take what is underfoot,
What is yours is mine my father.

I too Paumanok,
I too have bubbled up, floated the measureless float, and been 
 wash'd on your shores,
I too am but a trail of drift and debris,
I too leave little wrecks upon you, you fish-shaped island.

I throw myself upon your breast my father,
I cling to you so that you cannot unloose me,
I hold you so firm till you answer me something.

Kiss me my father,
Touch me with your lips as I touch those I love,
Breathe to me while I hold you close the secret of the murmuring 
 I envy.

4

Ebb, ocean of life, (the flow will return,)
Cease not your moaning you fierce old mother,
Endlessly cry for your castaways, but fear not, deny not me,
Rustle not up so hoarse and angry against my feet as I touch you 
 or gather from you.

I mean tenderly by you and all,
I gather for myself and for this phantom looking down where we 
 lead, and following me and mine.

Me and mine, loose windrows, little corpses,
Froth, snowy white, and bubbles,
(See, from my dead lips the ooze exuding at last,
See, the prismatic colors glistening and rolling,)
Tufts of straw, sands, fragments,
Buoy'd hither from many moods, one contradicting another,
From the storm, the long calm, the darkness, the swell,
Musing, pondering, a breath, a briny tear, a dab of liquid or soil,
Up just as much out of fathomless workings fermented and thrown,
A limp blossom or two, torn, just as much over waves floating, 
 drifted at random,
Just as much for us that sobbing dirge of Nature,
Just as much whence we come that blare of the cloud-trumpets,
We, capricious, brought hither we know not whence, spread out 
 before you,
You up there walking or sitting,
Whoever you are, we too lie in drifts at your feet.

Walt Whitman – Out of the Cradle Endlessly Rocking (Book XIX. Sea-Drift) —

Out of the Cradle Endlessly Rocking 

OUT of the cradle endlessly rocking,
Out of the mocking-bird's throat, the musical shuttle,
Out of the Ninth-month midnight,
Over the sterile sands and the fields beyond, where the child 
 leaving his bed wander'd alone, bareheaded, barefoot,
Down from the shower'd halo,
Up from the mystic play of shadows twining and twisting as if 
 they were alive,
Out from the patches of briers and blackberries,
From the memories of the bird that chanted to me,
From your memories sad brother, from the fitful risings and fall-
 ings I heard,
From under that yellow half-moon late-risen and swollen as if with 
 tears,
From those beginning notes of yearning and love there in the mist,
From the thousand responses of my heart never to cease,
From the myriad thence-arous'd words,
From the word stronger and more delicious than any,
From such as now they start the scene revisiting,
As a flock, twittering, rising, or overhead passing,
Borne hither, ere all eludes me, hurriedly,
A man, yet by these tears a little boy again,
Throwing myself on the sand, confronting the waves,
I, chanter of pains and joys, uniter of here and hereafter,
Taking all hints to use them, but swiftly leaping beyond them,
A reminiscence sing.

Once Paumanok,
When the lilac-scent was in the air and Fifth-month grass was 
 growing,
Up this seashore in some briers,
Two feather'd guests from Alabama, two together,
And their nest, and four light-green eggs spotted with brown,
And every day the he-bird to and fro near at hand,
And every day the she-bird crouch'd on her nest, silent, with 
 bright eyes,
And every day I, a curious boy, never too close, never disturbing 
 them,
Cautiously peering, absorbing, translating.

Shine! shine! shine!
Pour down your warmth, great sun!
While we bask, we two together.

Two together!
Winds blowsouth, or winds blow north,
Day come white, or night come black,
Home, or rivers and mountains from home,
Singing all time, minding no time,
While we two keep together.

Till of a sudden,
May-be kill'd, unknown to her mate,
One forenoon the she-bird crouch'd not on the nest,
Nor return'd that afternoon, nor the next,
Nor ever appear'd again.

And thenceforward all summer in the sound of the sea,
And at night under the full of the moon in calmer weather,
Over the hoarse surging of the sea,
Or flitting from brier to brier by day,
I saw, I heard at intervals the remaining one, the he-bird,
The solitary guest from Alabama.

Blow! blow! blow!
Blow up sea-winds along Paumanok's shore;
I wait and I wait till you blow my mate to me.

Yes, when the stars glisten'd,
All night long on the prong of a moss-scallop'd stake,
Down almost amid the slapping waves,
Sat the lone singer wonderful causing tears.

He call'd on his mate,
He pour'd forth the meanings which I of all men know.

Yes my brother I know,
The rest might not, but I have treasur'd every note,
For more than once dimly down to the beach gliding,
Silent, avoiding the moonbeams, blending myself with the shadows,
Recalling now the obscure shapes, the echoes, the sounds and 
 sights after their sorts,
The white arms out in the breakers tirelessly tossing,
I, with bare feet, a child, the wind wafting my hair,
Listen'd long and long.

Listen'd to keep, to sing, now translating the notes,
Following you my brother.

Soothe! soothe! soothe!
Close on its wave soothes the wave behind,
And again another behind embracing and lapping, every one close,
But my love soothes not me, not me.

Low hangs the moon, it rose late,
It is lagging—O I think it is heavy with love, with love.

O madly the sea pushes upon the land,
With love, with love.

O night! do I not see my love fluttering out among the breakers?
What is that little black thing I see there in the white?

Loud! loud! loud!
Loud I call to you, my love!
High and clear I shoot my voice over the waves,
Surely you must know who is here, is here,
You must know who I am, my love.

Low-hanging moon!
What is that dusky spot in your brown yellow?
O it is the shape, the shape of my mate!
O moon do not keep her from me any longer.

Land! land! O land!
Whichever way I turn, O I think you could give me my mate 
 back again if you only would,
For I am almost sure I see her dimly whichever way I look.

O rising stars!
Perhaps the one I want so much will rise, will rise with some 
 of you.

O throat! O trembling throat!
Sound clearer through the atmosphere!
Pierce the woods, the earth,
Somewhere listening to catch you must be the one I want.

Shake out carols!
Solitary here, the night's carols!
Carols of lonesome love! death's carols!
Carols under that lagging, yellow, waning moon!
O under that moon where she droops almost down into the sea!
O reckless despairing carols.

But soft! sink low!
Soft! let me just murmur,
And do you wait a moment you husky-nois'd sea,
For somewhere I believe I heard my mate responding to me,
So faint, I must be still, be still to listen,
But not altogether still, for then she might not come immediately 
 to me.

Hither my love!
Here I am! here!
With this just-sustain'd note I announce myself to you,
This gentle call is for you my love, for you.

Do not be decoy'd elsewhere,
That is the whistle of the wind, it is not my voice,
That is the fluttering, the fluttering of the spray,
Those are the shadows of leaves.

O darkness! O in vain!
O I am very sick and sorrowful.

O brown halo in the sky near the moon, drooping upon the sea!
O troubled reflection in the sea!
O throat! O throbbing heart!
And I singing uselessly, uselessly all the night.

O past! O happy life! O songs of joy!
In the air, in the woods, over fields,
Loved! loved! loved! loved! loved!
But my mate no more, no more with me!
We two together no more.

The aria sinking,
All else continuing, the stars shining,
The winds blowing, the notes of the bird continuous echoing,
With angry moans the fierce old mother incessantly moaning,
On the sands of Paumanok's shore gray and rustling,
The yellow half-moon enlarged, sagging down, drooping, the face 
 of the sea almost touching,
The boy ecstatic, with his bare feet the waves, with his hair the 
 atmosphere dallying,
The love in the heart long pent, now loose, now at last 
 tumultuously bursting,
The aria's meaning, the ears, the soul, swiftly depositing,
The strange tears down the cheeks coursing,
The colloquy there, the trio, each uttering,
The undertone, the savage old mother incessantly crying,
To the boy's soul's questions sullenly timing, some drown'd secret 
 hissing,
To the outsetting bard.

Demon or bird! (said the boy's soul,)
Is it indeed toward your mate you sing? or is it really to me?
For I, that was a child, my tongue's use sleeping, now I have 
 heard you,
Now in a moment I know what I am for, I awake,
And already a thousand singers, a thousand songs, clearer, louder 
 and more sorrowful than yours,
A thousand warbling echoes have started to life within me, never 
 to die.

O you singer solitary, singing by yourself, projecting me,
O solitary me listening, never more shall I cease perpetuating 
 you,
Never more shall I escape, never more the reverberations,
Never more the cries of unsatisfied love be absent from me,
Never again leave me to be the peaceful child I was before what 
 there in the night,
By the sea under the yellow and sagging moon,
The messenger there arous'd, the fire, the sweet hell within,
The unknown want, the destiny of me.

O give me the clew! (it lurks in the night here somewhere,)
O if I am to have so much, let me have more!

A word then, (for I will conquer it,)
The word final, superior to all,
Subtle, sent up—what is it?—I listen;
Are you whispering it, and have been all the time, you sea-
 waves?
Is that it from your liquid rims and wet sands?

Whereto answering, the sea,
Delaying not, hurrying not,
Whisper'd me through the night, and very plainly before day-
 break,
Lisp'd to me the low and delicious word death,
And again death, death, death, death,
Hissing melodious, neither like the bird nor like my arous'd child's 
 heart,
But edging near as privately for me rustling at my feet,
Creeping thence steadily up to my ears and laving me softly all 
 over,
Death, death, death, death, death.

Which I do not forget,
But fuse the song of my dusky demon and brother,
That he sang to me in the moonlight on Paumanok's gray beach,
With the thousand responsive songs at random,
My own songs awaked from that hour,
And with them the key, the word up from the waves,
The word of the sweetest song and all songs,
That strong and delicious word which, creeping to my feet,
(Or like some old crone rocking the cradle, swathed in sweet 
 garments, bending aside,)
The sea whisper'd me.

Walt Whitman – Broadway Pageant (Book XVIII)

Broadway Pageant 

1
OVER the Western sea hither from Niphon come,
Courteous, the swart-cheek'd two-sworded envoys,
Leaning back in their open barouches, bare-headed, impassive,
Ride to-day through Manhattan.

Libertad! I do not know whether others behold what I behold,
In the procession along with the nobles of Niphon, the errand-
 bearers,
Bringing up the rear, hovering above, around, or in the ranks 
 marching,
But I will sing you a song of what I behold Libertad.

When million-footed Manhattan unpent descends to her pavements,
When the thunder-cracking guns arouse me with the proud roar 
 I love,
When the round-mouth'd guns out of the smoke and smell I love 
 spit their salutes,
When the fire-flashing guns have fully alerted me, and heaven-
 clouds canopy my city with a delicate thin haze,
When gorgeous the countless straight stems, the forests at the 
 wharves, thicken with colors,
When every ship richly drest carries her flag at the peak,
When pennants trail and street-festoons hang from the windows,
When Broadway is entirely given up to foot-passengers and foot-
 standers, when the mass is densest,
When the façades of the houses are alive with people, when eyes 
 gaze riveted tens of thousands at a time,
When the guests from the islands advance, when the pageant 
 moves forward visible,
When the summons is made, when the answer that waited 
 thousands of years answers,
I too arising, answering, descend to the pavements, merge with 
 the crowd, and gaze with them.

2

Superb-faced Manhattan!
Comrade Americanos! to us, then at last the Orient comes.

To us, my city,
Where our tall-topt marble and iron beauties range on opposite 
 sides, to walk in the space between,
To-day our Antipodes comes.

The Originatress comes,
The nest of languages, the bequeather of poems, the race of eld,
Florid with blood, pensive, rapt with musings, hot with passion,
Sultry with perfume, with ample and flowing garments,
With sunburnt visage, with intense soul and glittering eyes,
The race of Brahma comes.

See my cantabile! these and more are flashing to us from the 
 procession,
As it moves changing, a kaleidoscope divine it moves changing 
 before us.

For not the envoys nor the tann'd Japanee from his island only,
Lithe and silent the Hindoo appears, the Asiatic continent itself 
 appears, the past, the dead,
The murky night-morning of wonder and fable inscrutable,
The envelop'd mysteries, the old and unknown hive-bees,
The north, the sweltering south, eastern Assyria, the Hebrews, the 
 ancient of ancients,
Vast desolated cities, the gliding present, all of these and more are 
 in the pageant-procession.

Geography, the world, is in it,
The Great Sea, the brood of islands, Polynesia, the coast beyond,
The coast you henceforth are facing—you Libertad! from your 
 Western golden shores,
The countries there with their populations, the millions en-masse 
 are curiously here,
The swarming market-places, the temples with idols ranged along 
 the sides or at the end, bonze, brahmin, and llama,
Mandarin, farmer, merchant, mechanic, and fisherman,
The singing-girl and the dancing-girl, the ecstatic persons, the 
 secluded emperors,
Confucius himself, the great poets and heroes, the warriors, the 
 castes, all,
Trooping up, crowding from all directions, from the Altay 
 mountains,
From Thibet, from the four winding and far-flowing rivers of 
 China,
From the southern peninsulas and the demi-continental islands, 
 from Malaysia,
These and whatever belongs to them palpable show forth to me, 
 and are seiz'd by me,
And I am seiz'd by them, and friendlily held by them,
Till as here them all I chant, Libertad! for themselves and for 
 you.

For I too raising my voice join the ranks of this pageant,
I am the chanter, I chant aloud over the pageant,
I chant the world on my Western sea,
I chant copious the islands beyond, thick as stars in the sky,
I chant the new empire grander than any before, as in a vision it 
 comes to me,
I chant America the mistress, I chant a greater supremacy,
I chant projected a thousand blooming cities yet in time on those 
 groups of sea-islands,
My sail-ships and steam-ships threading the archipelagoes,
My stars and stripes fluttering in the wind,
Commerce opening, the sleep of ages having done its work, races 
 reborn, refresh'd,
Lives, works resumed—the object I know not—but the old, the 
 Asiatic renew'd as it must be,
Commencing from this day surrounded by the world.

3

And you Libertad of the world!
You shall sit in the middle well-pois'd thousands and thousands of 
 years,
As to-day from one side the nobles of Asia come to you,
As to-morrow from the other side the queen of England sends her 
 eldest son to you.

The sign is reversing, the orb is enclosed,
The ring is circled, the journey is done,
The box-lid is but perceptibly open'd, nevertheless the perfume 
 pours copiously out of the whole box.

Young Libertad! with the venerable Asia, the all-mother,
Be considerate with her now and ever hot Libertad, for you are all,
Bend your proud neck to the long-off mother now sending 
 messages over the archipelagoes to you,
Bend your proud neck low for once, young Libertad.

Were the children straying westward so long? so wide the tramping?
Were the precedent dim ages debouching westward from Paradise 
 so long?
Were the centuries steadily footing it that way, all the while 
 unknown, for you, for reasons?

They are justified, they are accomplish'd, they shall now be turn'd 
 the other way also, to travel toward you thence,
They shall now also march obediently eastward for your sake 
 Libertad.

Walt Whitman – With Antecedents

With Antecedents

1

WITH antecedents,
With my fathers and mothers and the accumulations of past 
 ages,
With all which, had it not been, I would not now be here, as I 
 am,
With Egypt, India, Phenicia, Greece and Rome,
With the Kelt, the Scandinavian, the Alb and the Saxon,
With antique maritime ventures, laws, artisanship, wars and 
 journeys,
With the poet, the skald, the saga, the myth, and the oracle,
With the sale of slaves, with enthusiasts, with the troubadour, the 
 crusader, and the monk,
With those old continents whence we have come to this new 
 continent,
With the fading kingdoms and kings over there,
With the fading religions and priests,
With the small shores we look back to from our own large and 
 present shores,
With countless years drawing themselves onward and arrived at 
 these years,
You and me arrived—America arrived and making this year,
This year! sending itself ahead countless years to come.

2

O but it is not the years—it is I, it is You,
We touch all laws and tally all antecedents,
We are the skald, the oracle, the monk and the knight, we easily 
 include them and more,
We stand amid time beginningless and endless, we stand amid evil 
 and good,
All swings around us, there is as much darkness as light,
The very sun swings itself and its system of planets around us,
Its sun, and its again, all swing around us.

As for me, (torn, stormy, amid these vehement days,)
I have the idea of all, and am all and believe in all,
I believe materialism is true and spiritualism is true, I reject 
 no part.

(Have I forgotten any part? any thing in the past?
Come to me whoever and whatever, till I give you 
 recognition.)

I respect Assyria, China, Teutonia, and the Hebrews,
I adopt each theory, myth, god, and demi-god,
I see that the old accounts, bibles, genealogies, are true, without 
 exception,
I assert that all past days were what they must have been,
And that they could no-how have been better than they were,
And that to-day is what it must be, and that America is,
And that to-day and America could no-how be better than they 
 are.

3

In the name of these States and in your and my name, the 
 Past,
And in the name of these States and in your and my name, the 
 Present time.

I know that the past was great and the future will be great,
And I know that both curiously conjoint in the present time,
(For the sake of him I typify, for the common average man's 
 sake, your sake if you are he,)
And that where I am or you are this present day, there is the 
 centre of all days, all races,
And there is the meaning to us of all that has ever come of races 
 and days, or ever will come.

Walt Whitman – Year of Meteors [1859-60]

Year of Meteors [1859-60]

YEAR of meteors! brooding year!
I would bind in words retrospective some of your deeds and signs,
I would sing your contest for the 19th Presidentiad,
I would sing how an old man, tall, with white hair, mounted the 
 scaffold in Virginia,
(I was at hand, silent I stood with teeth shut close, I watch'd,
I stood very near you old man when cool and indifferent, but 
 trembling with age and your unheal'd wounds you mounted 
 the scaffold;)
I would sing in my copious song your census returns of the States,
The tables of population and products, I would sing of your ships 
 and their cargoes,
The proud black ships of Manhattan arriving, some fill'd with 
 immigrants, some from the isthmus with cargoes of gold,
Songs thereof would I sing, to all that hitherward comes would I 
 welcome give,
And you would I sing, fair stripling! welcome to you from me,
 young prince of England!
(Remember you surging Manhattan's crowds as you pass'd with 
 your cortege of nobles?
There in the crowds stood I, and singled you out with attachment;)
Nor forget I to sing of the wonder, the ship as she swam up my 
 bay,
Well-shaped and stately the Great Eastern swam up my bay, she 
 was 600 feet long,
Her moving swiftly surrounded by myriads of small craft I forget 
 not to sing;
Nor the comet that came unannounced out of the north flaring in 
 heaven,
Nor the strange huge meteor-procession dazzling and clear shoot-
 ing over our heads,
(A moment, a moment long it sail'd its balls of unearthly light 
 over our heads,
Then departed, dropt in the night, and was gone;)
Of such, and fitful as they, I sing—with gleams from them would 
 I gleam and patch these chants,
Your chants, O year all mottled with evil and good—year of 
 forebodings!
Year of comets and meteors transient and strange—lo! even here 
 one equally transient and strange!
As I flit through you hastily, soon to fall and be gone, what is this 
 chant,
What am I myself but one of your meteors?

Walt Whitman – Myself and Mine

Myself and Mine

MYSELF and mine gymnastic ever,
To stand the cold or heat, to take good aim with a gun, to sail a 
 boat, to manage horses, to beget superb children,
To speak readily and clearly, to feel at home among common 
 people,
And to hold our own in terrible positions on land and sea.

Not for an embroiderer,
(There will always be plenty of embroiderers, I welcome them also,)
But for the fibre of things and for inherent men and women.

Not to chisel ornaments,
But to chisel with free stroke the heads and limbs of plenteous 
 supreme Gods, that the States may realize them walking 
 and talking.

Let me have my own way,
Let others promulge the laws, I will make no account of the laws,
Let others praise eminent men and hold up peace, I hold up 
 agitation and conflict,
I praise no eminent man, I rebuke to his face the one that was 
 thought most worthy.

(Who are you? and what are you secretly guilty of all your life?
Will you turn aside all your life? will you grub and chatter all 
 your life?
And who are you, blabbing by rote, years, pages, languages,
 reminiscences,
Unwitting to-day that you do not know how to speak properly a 
 single word?)

Let others finish specimens, I never finish specimens,
I start them by exhaustless laws as Nature does, fresh and modern 
 continually.

I give nothing as duties,
What others give as duties I give as living impulses,
(Shall I give the heart's action as a duty?)

Let others dispose of questions, I dispose of nothing, I arouse 
 unanswerable questions,
Who are they I see and touch, and what about them?
What about these likes of myself that draw me so close by tender 
 directions and indirections?

I call to the world to distrust the accounts of my friends, but 
 listen to my enemies, as I myself do,
I charge you forever reject those who would expound me, for I 
 cannot expound myself,
I charge that there be no theory or school founded out of me,
I charge you to leave all free, as I have left all free.

After me, vista!
O I see life is not short, but immeasurably long,
I henceforth tread the world chaste, temperate, an early riser, a 
 steady grower,
Every hour the semen of centuries, and still of centuries.

I must follow up these continual lessons of the air, water, earth,
I perceive I have no time to lose.

Walt Whitman – France [the 18th Year of these States]

France [the 18th Year of these States]

A GREAT year and place,
A harsh discordant natal scream out-sounding, to touch the 
 mother's heart closer than any yet.

I walk'd the shores of my Eastern sea,
Heard over the waves the little voice,
Saw the divine infant where she woke mournfully wailing, amid the 
 roar of cannon, curses, shouts, crash of falling buildings,
Was not so sick from the blood in the gutters running, nor from 
 the single corpses, nor those in heaps, nor those borne 
 away in the tumbrils,
Was not so desperate at the battues of death—was not so shock'd 
 at the repeated fusillades of the guns.

Pale, silent, stern, what could I say to that long-accrued 
 retribution?
Could I wish humanity different?
Could I wish the people made of wood and stone?
Or that there be no justice in destiny or time?

O Liberty! O mate for me!
Here too the blaze, the grape-shot and the axe, in reserve, to 
 fetch them out in case of need,
Here too, though long represt, can never be destroy'd,
Here too could rise at last murdering and ecstatic,
Here too demanding full arrears of vengeance.

Hence I sign this salute over the sea,
And I do not deny that terrible red birth and baptism,
But remember the little voice that I heard wailing, and wait with 
 perfect trust, no matter how long,
And from to-day sad and cogent I maintain the bequeath'd cause,
 as for all lands,
And I send these words to Paris with my love,
And I guess some chansonniers there will understand them,
For I guess there is latent music yet in France, floods of it,
O I hear already the bustle of instruments, they will soon be 
 drowning all that would interrupt them,
O I think the east wind brings a triumphal and free march,
It reaches hither, it swells me to joyful madness,
I will run transpose it in words, to justify it,
I will yet sing a song for you ma femme.

Walt Whitman – To You

To You

WHOEVER you are, I fear you are walking the walks of dreams,
I fear these supposed realities are to melt from under your feet 
 and hands,
Even now your features, joys, speech, house, trade, manners,
 troubles, follies, costume, crimes, dissipate away from you,
Your true soul and body appear before me,
They stand forth out of affairs, out of commerce, shops, work,
 farms, clothes, the house, buying, selling, eating, drinking,
 suffering, dying.

Whoever you are, now I place my hand upon you, that you be my 
 poem,
I whisper with my lips close to your ear,
I have loved many women and men, but I love none better than 
 you.

O I have been dilatory and dumb,
I should have made my way straight to you long ago,
I should have blabb'd nothing but you, I should have chanted 
 nothing but you.

I will leave all and come and make the hymns of you,
None has understood you, but I understand you,
None has done justice to you, you have not done justice to your-
 self,
None but has found you imperfect, I only find no imperfection in 
 you,
None but would subordinate you, I only am he who will never 
 consent to subordinate you,
I only am he who places over you no master, owner, better, God,
 beyond what waits intrinsically in yourself.

Painters have painted their swarming groups and the centre-figure 
 of all,
From the head of the centre-figure spreading a nimbus of gold-
 color'd light,
But I paint myriads of heads, but paint no head without its 
 nimbus of gold-color'd light,
From my hand from the brain of every man and woman it streams,
 effulgently flowing forever.

O I could sing such grandeurs and glories about you!
You have not known what you are, you have slumber'd upon 
 yourself all your life,
Your eyelids have been the same as closed most of the time,
What you have done returns already in mockeries,
(Your thrift, knowledge, prayers, if they do not return in 
 mockeries, what is their return?)

The mockeries are not you,
Underneath them and within them I see you lurk,
I pursue you where none else has pursued you,
Silence, the desk, the flippant expression, the night, the accustom'd 
 routine, if these conceal you from others or from yourself,
 they do not conceal you from me,
The shaved face, the unsteady eye, the impure complexion, if these 
 balk others they do not balk me,
The pert apparel, the deform'd attitude, drunkenness, greed, pre-
 mature death, all these I part aside.

There is no endowment in man or woman that is not tallied in 
 you,
There is no virtue, no beauty in man or woman, but as good is in 
 you,
No pluck, no endurance in others, but as good is in you,
No pleasure waiting for others, but an equal pleasure waits for you.

As for me, I give nothing to any one except I give the like care-
 fully to you,
I sing the songs of the glory of none, not God, sooner than I 
 sing the songs of the glory of you.

Whoever you are! claim your own at any hazard!
These shows of the East and West are tame compared to you,
These immense meadows, these interminable rivers, you are 
 immense and interminable as they,
These furies, elements, storms, motions of Nature, throes of 
 apparent dissolution, you are he or she who is master or mistress 
 over them,
Master or mistress in your own right over Nature, elements, pain,
 passion, dissolution.

The hopples fall from your ankles, you find an unfailing sufficiency,
Old or young, male or female, rude, low, rejected by the rest,
 whatever you are promulges itself,
Through birth, life, death, burial, the means are provided, nothing 
 is scanted,
Through angers, losses, ambition, ignorance, ennui, what you are 
 picks its way.
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