Walt Whitman – Song of the Banner at Daybreak

Song of the Banner at Daybreak

Poet.

O A new song, a free song,
Flapping, flapping, flapping, flapping, by sounds, by voices clearer,
By the wind's voice and that of the drum,
By the banner's voice and child's voice and sea's voice and father's 
 voice,
Low on the ground and high in the air,
On the ground where father and child stand,
In the upward air where their eyes turn,
Where the banner at daybreak is flapping.

Words! book-words! what are you?
Words no more, for hearken and see,
My song is there in the open air, and I must sing,
With the banner and pennant a-flapping.

I'll weave the chord and twine in,
Man's desire and babe's desire, I'll twine them in, I'll put in life,
I'll put the bayonet's flashing point, I'll let bullets and slugs whizz,
(As one carrying a symbol and menace far into the future,
Crying with trumpet voice, Arouse and beware! Beware and 
 arouse!)
I'll pour the verse with streams of blood, full of volition, full of joy,
Then loosen, launch forth, to go and compete,
With the banner and pennant a-flapping.

Pennant.

Come up here, bard, bard,
Come up here, soul, soul,
Come up here, dear little child,
To fly in the clouds and winds with me, and play with the measure-
 less light.

Child.

Father what is that in the sky beckoning to me with long finger?
And what does it say to me all the while?

Father.

Nothing my babe you see in the sky,
And nothing at all to you it says—but look you my babe,
Look at these dazzling things in the houses, and see you the 
 money-shops opening,
And see you the vehicles preparing to crawl along the streets with 
 goods;
These, ah these, how valued and toil'd for these!
How envied by all the earth.

Poet.

Fresh and rosy red the sun is mounting high,
On floats the sea in distant blue careering through its channels,
On floats the wind over the breast of thesea setting in toward 
 land,
The great steady wind from west or west-by-south,
Floating so buoyant with milk-white foam on the waters.

But I am not the sea nor the red sun,
I am not the wind with girlish laughter,
Not the immense wind which strengthens, not the wind which 
 lashes,
Not the spirit that ever lashes its own body to terror and death,
But I am that which unseen comes and sings, sings, sings,
Which babbles in brooks and scoots in showers on the land,
Which the birds know in the woods mornings and evenings,
And the shore-sands know and the hissing wave, and that banner 
 and pennant,
Aloft there flapping and flapping.

Child.

O father it is alive—it is full of people—it has children,
O now it seems to me it is talking to its children,
I hear it—it talks to me—O it is wonderful!
O it stretches—it spreads and runs so fast—O my father,
It is so broad it covers the whole sky.

Father.

Cease, cease, my foolish babe,
What you are saying is sorrowful to me, much it displeases me;
Behold with the rest again I say, behold not banners and pennants 
 aloft,
But the well-prepared pavements behold, and mark the solid-wall'd 
 houses.

Banner and Pennant.

Speak to the child O bard out of Manhattan,
To our children all, or north or south of Manhattan,
Point this day, leaving all the rest, to us over all—and yet we 
 know not why,
For what are we, mere strips of cloth profiting nothing,
Only flapping in the wind?

Poet.

I hear and see not strips of cloth alone,
I hear the tramp of armies, I hear the challenging sentry,
I hear the jubilant shouts of millions of men, I hear Liberty!
I hear the drums beat and the trumpets blowing,
I myself move abroad swift-rising flying then,
I use the wings of the land-bird and use the wings of the sea-bird, 
 and look down as from a height,
I do not deny the precious results of peace, I see populous cities 
 with wealth incalculable,
I see numberless farms, I see the farmers working in their fields 
 or barns,
I see mechanics working, I see buildings everywhere founded, 
 going up, or finish'd,
I see trains of cars swiftly speeding along railroad tracks drawn 
 by the locomotives,
I see the stores, depots, of Boston, Baltimore, Charleston, New 
 Orleans,
I see far in the West the immense area of grain, I dwell awhile 
 hovering,
I pass to the lumber forests of the North, and again to the 
 Southern plantation, and again to California;
Sweeping the whole I see the countless profit, the busy gatherings, 
 earn'd wages,
See the Identity formed out of thirty-eight spacious and haughty 
 States, (and many more to come,)
See forts on the shores of harbors, see ships sailing in and out;
Then over all, (aye! aye!) my little and lengthen'd pennant 
 shaped like a sword,
Runs swiftly up indicating war and defiance—and now the hal-
 yards have rais'd it,
Side of my banner broad and blue, side of my starry banner,
Discarding peace over all the sea and land.

Banner and Pennant.

Yet louder, higher, stronger, bard! yet farther, wider cleave!
No longer let our children deem us riches and peace alone,
We may be terror and carnage, and are so now,
Not now are we any one of these spacious and haughty States, 
 (nor any five, nor ten,)
Nor market nor depot we, nor money-bank in the city,
But these and all, and the brown and spreading land, and the 
 mines below, are ours,
And the shores of the sea are ours, and the rivers great and small,
And the fields they moisten, and the crops and the fruits are ours,
Bays and channels and ships sailing in and out are ours—while 
 we over all,
Over the area spread below, the three or four millions of square 
 miles, the capitals,
The forty millions of people,—O bard! in life and death supreme,
We, even we, henceforth flaunt out masterful, high up above,
Not for the present alone, for a thousand years chanting through 
 you,
This song to the soul of one poor little child.

Child.

O my father I like not the houses,
They will never to me be any thing, nor do I like money,
But to mount up there I would like, O father dear, that banner I 
 like,
That pennant I would be and must be.

Father.

Child of mine you fill me with anguish,
To be that pennant would be too fearful,
Little you know what it is this day, and after this day, forever,
It is to gain nothing, but risk and defy every thing,
Forward to stand in front of wars—and O, such wars!—what 
 have you to do with them?
With passions of demons, slaughter, premature death?

Banner.

Demons and death then I sing,
Put in all, aye all will I, sword-shaped pennant for war,
And a pleasure new and ecstatic, and the prattled yearning of 
 children,
Blent with the sounds of the peaceful land and the liquid wash 
 of the sea,
And the black ships fighting on the sea envelop'd in smoke,
And the icy cool of the far, far north, with rustling cedars and 
 pines,
And the whirr of drums and the sound of soldiers marching, and 
 the hot sun shining south,
And the beach-waves combing over the beach on my Eastern 
 shore, and my Western shore the same,
And all between those shores, and my ever running Mississippi 
 with bends and chutes,
And my Illinois fields, and my Kansas fields, and my fields of 
 Missouri,
The Continent, devoting the whole identity without reserving an 
 atom,
Pour in! whelm that which asks, which sings, with all and the 
 yield of all,
Fusing and holding, claiming, devouring the whole,
No more with tender lip, nor musical labial sound,
But out of the night emerging for good, our voice persuasive no 
 more,
Croaking like crows here in the wind.

Poet.

My limbs, my veins dilate, my theme is clear at last,
Banner so broad advancing out of the night, I sing you haughty 
 and resolute,
I burst through where I waited long, too long, deafen'd and 
 blinded,
My hearing and tongue are come to me, (a little child taught me,)
I hear from above O pennant of war your ironical call and demand,
Insensate! insensate! (yet I at any rate chant you,) O banner!
Not houses of peace indeed are you, nor any nor all their 
 prosperity, (if need be, you shall again have every one of those 
 houses to destroy them,
You thought not to destroy those valuable houses, standing fast, 
 full of comfort, built with money,
May they stand fast, then? not an hour except you above them 
 and all stand fast;)
O banner, not money so precious are you, not farm produce you, 
 nor the material good nutriment,
Nor excellent stores, nor landed on wharves from the ships,
Not the superb ships with sail-power or steam-power, fetching and 
 carrying cargoes,
Nor machinery, vehicles, trade, nor revenues—but you as hence-
 forth I see you,
Running up out of the night, bringing your cluster of stars, 
 (ever-enlarging stars,)
Divider of daybreak you, cutting the air, touch'd by the sun, 
 measuring the sky,
(Passionately seen and yearn'd for by one poor little child,
While others remain busy or smartly talking, forever teaching 
 thrift, thrift;)
O you up there! O pennant! where you undulate like a snake 
 hissing so curious,
Out of reach, an idea only, yet furiously fought for, risking bloody 
 death, loved by me,
So loved—O you banner leading the day with stars brought from 
 the night!
Valueless, object of eyes, over all and demanding all—(absolute 
 owner of all)—O banner and pennant!
I too leave the rest—great as it is, it is nothing—houses, 
 machines are nothing—I see them not,
I see but you, O warlike pennant! O banner so broad, with stripes, 
 I sing you only,
Flapping up there in the wind.

Walt Whitman – From Paumanok Starting I Fly Like a Bird

From Paumanok Starting I Fly Like a Bird

FROM Paumanok starting I fly like a bird,
Around and around to soar to sing the idea of all,
To the north betaking myself to sing there arctic songs,
To Kanada till I absorb Kanada in myself, to Michigan then,
To Wisconsin, Iowa, Minnesota, to sing their songs, (they are 
 inimitable;)
Then to Ohio and Indiana to sing theirs, to Missouri and Kansas 
 and Arkansas to sing theirs,
To Tennessee and Kentucky, to the Carolinas and Georgia to sing 
 theirs,
To Texas and so along up toward California, to roam accepted 
 everywhere;
To sing first, (to the tap of the war-drum if need be,)
The idea of all, of the Western world one and inseparable,
And then the song of each member of these States.
 

Walt Whitman – Beat! Beat! Drums!

Beat! Beat! Drums!

BEAT! beat! drums!—blow! bugles! blow!
Through the windows—through doors—burst like a ruthless 
 force,
Into the solemn church, and scatter the congregation,
Into the school where the scholar is studying;
Leave not the bridegroom quiet—no happiness must he have 
 now with his bride,
Nor the peaceful farmer any peace, ploughing his field or gathering 
 his grain,
So fierce you whirr and pound you drums—so shrill you bugles 
 blow.

Beat! beat! drums!—blow! bugles! blow!
Over the traffic of cities—over the rumble of wheels in the 
 streets;
Are beds prepared for sleepers at night in the houses? no sleepers 
 must sleep in those beds,
No bargainers' bargains by day—no brokers or speculators—
 would they continue?
Would the talkers be talking? would the singer attempt to sing?
Would the lawyer rise in the court to state his case before the 
 judge?
Then rattle quicker, heavier drums—you bugles wilder blow.

Beat! beat! drums!—blow! bugles! blow!
Make no parley—stop for no expostulation,
Mind not the timid—mind not the weeper or prayer,
Mind not the old man beseeching the young man,
Let not the child's voice be heard, nor the mother's entreaties,
Make even the trestles to shake the dead where they lie awaiting 
 the hearses,
So strong you thump O terrible drums—so loud you bugles blow.

Walt Whitman – Eighteen Sixty-One

Eighteen Sixty-One

ARM'D year—year of the struggle,
No dainty rhymes or sentimental love verses for you terrible year,
Not you as some pale poetling seated at a desk lisping cadenzas 
 piano,
But as a strong man erect, clothed in blue clothes, advancing,
 carrying a rifle on your shoulder,
With well-gristled body and sunburnt face and hands, with a knife 
 in the belt at your side,
As I heard you shouting loud, your sonorous voice ringing across 
 the continent,
Your masculine voice O year, as rising amid the great cities,
Amid the men of Manhattan I saw you as one of the workmen,
 the dwellers in Manhattan,
Or with large steps crossing the prairies out of Illinois and 
 Indiana,
Rapidly crossing the West with springy gait and descending the 
 Alleghanies,
Or down from the great lakes or in Pennsylvania, or on deck 
 along the Ohio river,
Or southward along the Tennessee or Cumberland rivers, or at 
 Chattanooga on the mountain top,
Saw I your gait and saw I your sinewy limbs clothed in blue,
 bearing weapons, robust year,
Heard your determin'd voice launch'd forth again and again,
Year that suddenly sang by the mouths of the round-lipp'd cannon,
I repeat you, hurrying, crashing, sad, distracted year.

Walt Whitman – First O Songs for a Prelude (Book XXI. Drum-Taps)

First O Songs for a Prelude 

FIRST O songs for a prelude,
Lightly strike on the stretch'd tympanum pride and joy in my city,
How she led the rest to arms, how she gave the cue,
How at once with lithe limbs unwaiting a moment she sprang,
(O superb! O Manhattan, my own, my peerless!
O strongest you in the hour of danger, in crisis! O truer than steel!)
How you sprang—how you threw off the costumes of peace with 
 indifferent hand,
How your soft opera-music changed, and the drum and fife were 
 heard in their stead,
How you led to the war, (that shall serve for our prelude, songs 
 of soldiers,)
How Manhattan drum-taps led.

Forty years had I in my city seen soldiers parading,
Forty years as a pageant, till unawares the lady of this teeming 
 and turbulent city,
Sleepless amid her ships, her houses, her incalculable wealth,
With her million children around her, suddenly,
At dead of night, at news from the south,
Incens'd struck with clinch'd hand the pavement.

A shock electric, the night sustain'd it,
Till with ominous hum our hive at daybreak pour'd out its myriads.

From the houses then and the workshops, and through all the 
 doorways,
Leapt they tumultuous, and lo! Manhattan arming.

To the drum-taps prompt,
The young men falling in and arming,
The mechanics arming, (the trowel, the jack-plane, the black-
 smith's hammer, tost aside with precipitation,)
The lawyer leaving his office and arming, the judge leaving the 
 court,
The driver deserting his wagon in the street, jumping down,
 throwing the reins abruptly down on the horses' backs,
The salesman leaving the store, the boss, book-keeper, porter, 
 all leaving;
Squads gather everywhere by common consent and arm,
The new recruits, even boys, the old men show them how to wear 
 their accoutrements, they buckle the straps carefully,
Outdoors arming, indoors arming, the flash of the musket-barrels,
The white tents cluster in camps, the arm'd sentries around, the 
 sunrise cannon and again at sunset,
Arm'd regiments arrive every day, pass through the city, and 
 embark from the wharves,
(How good they look as they tramp down to the river, sweaty,
 with their guns on their shoulders!
How I love them! how I could hug them, with their brown faces 
 and their clothes and knapsacks cover'd with dust!)
The blood of the city up—arm'd! arm'd! the cry everywhere,
The flags flung out from the steeples of churches and from all the 
 public buildings and stores,
The tearful parting, the mother kisses her son, the son kisses his 
 mother,
(Loth is the mother to part, yet not a word does she speak to 
 detain him,)
The tumultuous escort, the ranks of policemen preceding, clearing 
 the way,
The unpent enthusiasm, the wild cheers of the crowd for their 
 favorites,
The artillery, the silent cannons bright as gold, drawn along,
 rumble lightly over the stones,
(Silent cannons, soon to cease your silence,
Soon unlimber'd to begin the red business;)
All the mutter of preparation, all the determin'd arming,
The hospital service, the lint, bandages and medicines,
The women volunteering for nurses, the work begun for in earnest,
 no mere parade now;
War! an arm'd race is advancing! the welcome for battle, no 
 turning away;
War! be it weeks, months, or years, an arm'd race is advancing 
 to welcome it.

Mannahatta a-march—and it's O to sing it well!
It's O for a manly life in the camp.

And the sturdy artillery,
The guns bright as gold, the work for giants, to serve well the guns,
Unlimber them! (no more as the past forty years for salutes for 
 courtesies merely,
Put in something now besides powder and wadding.)

And you lady of ships, you Mannahatta,
Old matron of this proud, friendly, turbulent city,
Often in peace and wealth you were pensive or covertly frown'd 
 amid all your children,
But now you smile with joy exulting old Mannahatta.

Walt Whitman – To the States [To Identify the 16th, 17th, or 18th Presidentiad]

To the States [To Identify the 16th, 17th, or 18th Presidentiad]

WHY reclining, interrogating? why myself and all drowsing?
What deepening twilight—scum floating atop of the waters,
Who are they as bats and night-dogs askant in the capitol?
What a filthy Presidentiad! (O South, your torrid suns! O North,
 your arctic freezings!)
Are those really Congressmen? are those the great Judges? is that 
 the President?
Then I will sleep awhile yet, for I see that these States sleep, for 
 reasons;
(With gathering murk, with muttering thunder and lambent shoots 
 we all duly awake,
South, North, East, West, inland and seaboard, we will surely 
 awake.)
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